Polak’s story breathes life into a period fading from memory. Only her love for her family keeps her going – but when Anneke learns that her father has been using his artistic talents to support the Nazi effort, she comes to see him in a new light. And though I am sorry to see others suffer, another part of me – a bigger part – is relieved it isn’t me. Monique Polak teaches English and Humanities at Marianopolis College in Montreal and also works as a freelance journalist. Ne person’s agony often means someone else’s gain. Even friendship cannot truly comfort, for, as Anneke realizes, Now forced to work long hours as a cauldron-scrubber, Anneke finds little solace in a world turned upside down, where each morning could bring notice of one’s transfer to a camp with a more overt agenda of extermination. Fourteen-year-old Anneke, a Dutch Jew, arrives in Theresienstadt in 1943 with her father – a political cartoonist – her mother, and her younger brother.
As the novel’s protagonist, Anneke, is quick to learn, however, the town’s thin veneer hides pestilence, hunger, degradation, and despair. Possible ex library copy, will have the markings and stickers associated from the library. May contain limited notes, underlining or highlighting that does affect the text. A “model” camp, Theresienstadt was set up as a town – complete with storefronts, a bank, and a governing Council of Elders – that the Nazis could use to convince the international community of their humane treatment of war prisoners. Spine creases, wear to binding and pages from reading. Orca Book Publishers $12.95 paper 215pp 978-1-55143-847-4In writing What World is Left, Montrealer Monique Polak drew partially from her mother’s World War II experiences as an inmate at Theresienstadt, a concentration camp in Czechoslovakia.
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